So Long, My Son (2019) REVIEW | Berlinale 2019
"Empathetic, unpredictable and unmistakably assured, it is a deeply moving experience that kept me involved from beginning to end."
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Ghost Town Anthology (2019) REVIEW | Berlinale 2019
"Ghost Town Anthology is the kind of film where you get out just as much as you put in."
Bait (2019) REVIEW | Berlinale 2019
"Bait feels both timeless and timely, making for an invigorating watch."
Dafne (2019) REVIEW | Berlinale 2019
"Dafne is such a fascinating character....She deserves a more complex film than this."
7
Happy Death Day 2U (2019) REVIEW – Even More Fun The Second Time
The sequel that nobody really wanted is some timey wimey fun.
The Ground Beneath My Feet (2019) REVIEW | Berlinale 2019
"Considering it’s a film about working way too hard, it doesn’t seem learn from its own central lesson."
Mr. Jones (2019) REVIEW | Berlinale 2019
"...an intermittently interesting rumination on the duty of journalism that’s ultimately let down by its lethargic pace and on-the-nose conclusions."
The Boy Who Harnessed The Wind (2019) REVIEW | Berlinale 2019
"The broader message rings loud and clear: a society without free education is a society doomed to fail."
6
Alita: Battle Angel (2019) REVIEW – Battling With Itself
While its spectacle is great, Alita: Battle Angel tries to cram four books into one movie and it really shows.
Staff Only (2019) REVIEW | Berlinale 2019
"...the result is a fascinating rumination on innocence and the power of white privilege. "
A Tale of Three Sisters (2019) REVIEW | Berlinale 2019
"An alternatively funny and moving experience, it evokes Chekhov’s Three Sisters in both name and tragic-comic theme."
Skin (2018) REVIEW | Berlinale 2019
"Like Spike Lee in BlacKkKlansman, director Guy Nattiv understands that there’s no point pussyfooting around the subject."
